| Arne Quinze | |
|---|---|
| Born | 15 December 1971 Belgium |
| Work | |
| Projects | Rock Strangers at the Statue of Liberty (virtual) (New York), Uchronia (Nevada), Cityscape (Brussels), The Sequence (Brussels), Traveller (Munich), Rebirth (Paris), The Visitor (Beirut), Sculptures (Phillips de Pury and Saatchi Gallery, London), Red Beacon (Shanghai), Camille - Les Jardins (Rouen), My Home My House My Stilthouse (Knokke, Munich, Paris) |
Arne Quinze (born 15 December 1971, Belgium) is a conceptual artist best known for his unconventional and controversial public art installations. Quinze also creates large and small sculptures, drawings, paintings. In his late teens he started out as a graffiti artist in Brussels.
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The artist is known for his trademark sculptures[1] made out of wooden planks. His installations are built to provoke reaction and to intervene in the daily life of passersby confronted with his sculptures. Quinze sees his installations as places where people meet each other again and start conversations. Since a year he started doing research towards metal sculptures
In 2006, he gained a lot of attention by building Uchronia: A message from the future, a large wide wooden sculpture at the Burning Man festival in Black Rock City,in the Nevada desert, US. Cityscape (2007) and The Sequence (2008) are two of his giant wooden public art installations in the centre of Brussels, Belgium. It was the first time a sculpture gave the impression touching two buildings in the city center while traffic still passes by underneath it. The installation for the Flemish Parliament became an unequivocal actor in the city. In Munich, Germany, he built Traveller (2008) for French luxury fashion and leather goods brand Louis Vuitton.[2] Other public art installations by Arne Quinze have recently been revealed in the centre of Paris, France (Rebirth, 2008),[3] Beirut, Lebanon (The Visitor, 2009)[4] and Louisville, Kentucky (Big Four Bridge, ongoing)[5]
During the festival Rouen Impressionnée which took place in Rouen in the summer of 2010 he paid tribute to the impressionist Claude Monet [6] by painting Les Jardins/The Waterlilies series for an exhibition in the Abbatiale de Saint-Ouen. The festival was organized as the contemporary component of the Normandie Impressionniste festival, a festival under the presidence of Laurent Fabius, former French Prime Minister, celebrating the impressionist past of the region. Next to the exhibition an installation (Camille) [7] was built on the Boieldieu bridge, a bridge that has been painted by the impressionist painter Camille Pissaro several times.
Like a futuristic substitute for the market squares of old, Quinze sees his installations as places where people meet and converse as they used to in bygone eras. Red Beacon (2010) [8] is placed in the Jing’an Sculpture Park, the pioneer of presenting public art in the heart of Shanghai located downtown in the Jing’an District. His sculptures redefine social space and provide alternative models of interaction.
Other work is focussing on the axiom that people tend to seek a safe environment, a cocoon eliminating the unexpectable. The installation My Home My House My Stilthouse (2011) in Humlebaek, Denmark at the Louisiana Museum of Modern Art shows the visitor a new form of how housing and living can be perceived.[9]
He revealed a virtual installation Rock Strangers (2011) [10] on the Statue of Liberty in New York, US on the 4th of July in collaboration with Beck's [11] for their Green Box Project. The project is co-curated, commissioned and mentored by Nick Knight of SHOWstudio.com and producer Sam Spiegel. Commissioned work will only ever appear in the digital realm.
Arne Quinze: "With these sculptures I'm looking for a confrontation with the public, I hope they start asking questions about what their function on this planet is. What happens when putting all of the sudden an alien element in the city, our habitual urban environment? How do we react to unusual objects if we are confronted with them in our daily lives? Who or what remains the stranger, the person confronted with it or the object itself?"
Quinze's artwork is mainly referring to social interaction, evolution, communication, rhythm, the interplay of lines, contrasts and contradictions. Recurring techniques in his work are multiple types of wood, including salvaged wood; cardboard, polyurethane and electrical colors in fluorescent paint. Because of their intense orange-red color the sculptures contrast with their natural surroundings and generate the sentiment of estrangement. People are completely absorbed by the orange initiating astonished reactions.
He creates works in themes such as Bidonville, Stilthouse, My Home My House My Stilthouse,[12][13] View and Chaos; broadening further on his studies of livability in today's context. All his work has a humane aspect; Stilthouses can be perceived as humans on fragile legs symbolizing the strong nature of man. Bidonvilles are considered to be houses for the future as an apperception on the way how people are living now and tranquilize or accelerate the living process intentionally, provoking open communication in a society of human interaction.[14]
In 2009, Quinze installed a public Stilthouse installation called The Visitor in Beirut, Lebanon near its newly developed Souk complex, and auction house Phillips de Pury & Company invited the artist to present his work at their London gallery. Due to its success early 2010, the exhibition was prolonged at London's Saatchi Gallery in the Duke of York's Headquarters on King's Road.
During Hamburg Artweek (2011) [15] he revealed new work showing a shift in the use of materials including smashed old porcelain symbolizing the destruction of our family traditions.
Arne Quinze married his wife Barbara Becker at their Miami waterfront home on 9 September 2009. They celebrated the marriage on 12 September 2009 in Berlin. Germany.
Quinze lives and works in Sint Martens Latem nearby Ghent, Belgium. In October 2011, Barbara Becker and Quinze divorced.